In part 2 of this video series he works back into the image with a scribe, burnisher and scraper to make it less photographic and more like an original drawing. The transfer is etched lightly so that it may just be used as a starting point. In my opinion this is the way that all photo etchings should be treated. Simply duplicating a photographic image within a print medium seems like a bit of a waste of time, and sort of stale.
I have posted both parts of this video just in case you are interested in seeing him continue working on this plate, but it is only part 1 that I am really interested in, because it is this paper he uses in creating the substrate that intrigues me. These and many other Halfwood Press videos can be found on YouTube.
Part 1 of 2
Part 2 of 2
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